SOLO AND TWO-PERSON EXHIBITIONS
2023 |
Off-kilter, Garrison Art Center, Garrison, NY |
2017 |
Teeter, Main Window, Brooklyn, NY |
2016 |
Assembly Required, Matteawan Gallery, Beacon, NY |
2008 |
Remapping Savannah, Savannah College of Art and Design, Savannah, GA, curated by Erin Dziedzic |
2006 |
Lay of the Land, Schroeder Romero, New York, NY |
2004 |
Small Towns, Schroeder Romero, Brooklyn, NY |
2003 |
Making a Mark: Janice Caswell and Lordy Rodriquez, Hand Workshop Gallery, Richmond, VA |
2003 |
The Road to Higher Education, Part 1, Aldrich Contemporary Art Museum, Ridgefield, CT |
SELECTED GROUP EXHIBITIONS
2024 |
Put Together, daphne:art, Litchfield, CT |
2023 |
Horizon Line, Joyce Goldstein Gallery, Chatham, NY, curated by David Humphrey and Susan Jennings |
Library, Tappetto Volante Projects, Brooklyn, NY, curated by Glenn Goldberg |
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2022 |
Directions / Into the Woods, Lexington Arts+Science, Lexington, NY, curated by Jill Benson |
2019-20 |
Description of Events, Sculpture Space, Long Island City, NY, curated by Patricia Zarate |
2019 |
Unlikely Materials and the Language of Art, Art Spaces at Krasdale, White Plains, NY curated by Patricia Zarate (catalog) |
Double Vision: Artists Who Instagram, The Teaching Gallery at Hudson Valley Community College, Troy, NY |
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2018 |
Studio Mates, Front Room Gallery, New York, curated by Patricia Fabricant |
Tickle the Atman, Re Institute, Millerton, NY, curated by Susan Jennings |
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2017 |
Exhibition of Newly Elected Members and Recipients of Honors and Awards, American Academy of Arts and Letters, New York, NY |
Invitational Exhibition of Visual Arts, American Academy of Arts and Letters, New York, NY |
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More Women Painting, Design Sublime, Miami, FL, curated by Michelle Weinberg |
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2016 |
Altered States, Hewitt Gallery of Art, Marymount Manhattan College, New York, NY, curated by Judy Mannarino and Hallie Cohen |
Of an Urban Nature, +1+1 at Theodore Gallery, Brooklyn, NY |
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2015 |
Selected works from the Pierogi flat files, Art Hotel Gran Paradiso, Sorrento, Italy |
de•con•struct, Matteawan Gallery, Beacon, NY 2015, curated by Krista Svalbonas |
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Peregrinations, Constellations, Schema Projects, Brooklyn, NY, curated by Jeanne Heifetz |
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2014 |
eXergY, LABspace, Great Barrington, MA, curated by Susan Jennings |
Pins and Needles, Housatonic Museum of Art, Bridgeport, CT |
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2013 |
Disorderly Orderly, Calico, Brooklyn, NY |
2011 |
Mark Making: The Presence of Line, Derfner Judaica Museum, Riverdale, NY |
2010 |
Inquiring Eyes: Greensboro Collects Art, Weatherspoon Art Museum, Greensboro, NC |
2009 |
The Lining of Forgetting, Austin Museum of Art, Austin, TX, curated by Xandra Eden |
Wayfinding, Akus Gallery, Eastern Connecticut University, Willimantic, CT |
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It’s a Schro Ro Summer!, Schroeder Romero, New York, NY |
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2008 |
The Lining of Forgetting, Weatherspoon Art Museum, Greensboro, NC, curated by Xandra Eden (catalog) |
Serial Meditations, NURTUREart, Brooklyn, NY, curated by Amy Brandt and Melissa Messina |
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2007 |
Zoom + –, Arena 1 Gallery, Santa Monica, CA, curated by Doug Beube and Sherry Frumkin |
Drawings of Another Kind, Limn Gallery, San Francisco, CA |
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Breaking New Ground, Iona College, New Rochelle, NY |
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2006 |
Personal Geographies, Hunter College Gallery, New York, NY, curated by Joanna Lindenbaum (catalog) |
Global, Westport Arts Center, Westport, CT, curated by Richard Klein (catalog) |
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Fantastic Routes, Galería Galou, Brooklyn, NY, curated by Alejandra Villasmil |
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Synthetic Aesthetic, The Roger Smith Lab, New York, NY |
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Slow Revolution, Rotunda Gallery/BRIC, Brooklyn, NY |
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2005 |
New Turf, Fleming Museum, University of Vermont, Burlington, VT, Curated by Evelyn Hankins (catalog) |
Mental Maps, Dorsky Gallery, Long Island City, NY, curated by Kate Green |
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Lines & Curves, Limn Gallery, San Francisco, CA |
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Human Scale, Dumbo Arts Center, Brooklyn, NY, curated by Douglas Bohr |
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2004 |
Invitation à la Galerie Schroeder Romero, Galerie Anne Barrault, Paris |
CityMaps, ArtPace, San Antonio, TX, curated by Kate Green |
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Mapped/from there to here, Margaret Thatcher Projects, New York, NY |
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Synapses, Florence Lynch Gallery, New York, NY |
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2003 |
High and Inside, Marlborough Chelsea, New York, NY, curated by Maurice Tuchman (catalog) |
Road Trip, Margaret Thatcher Projects, New York, NY |
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STROKE, Schroeder Romero, Brooklyn, NY |
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Liminal, Hampden Gallery, UMASS Amherst, Amherst, MA, curated by David Gibson |
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Mapping it out, The Work Space, New York, NY |
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2002 |
AIM22, Bronx Museum of the Arts, Bronx, NY |
2001 |
Cities and Desire, Rotunda Gallery/BRIC, Brooklyn, NY |
Random Access Memory, Dumbo Arts Center, Brooklyn, NY |
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2000 |
Substance, Neoimages, New York, NY |
Loopy, Gallery Korea, New York, NY |
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Size Matters, Gale Gates, Brooklyn, NY, curated by Mike Weiss |
CURATORIAL PROJECTS
2019 |
Double Vision: Artists Who Instagram, Teaching Gallery at Hudson Valley Community College, Troy, NY, co-curated with Erick Johnson (catalog) |
2017 |
Double Vision: Artists Who Instagram, LABspace, Hillsdale, NY, co-curated with Erick Johnson (catalog) |
2016 |
Of an Urban Nature, +1+1 at Theodore Art, Brooklyn (a +1+1 collaborative curatorial project) |
2015 |
+1 +1 at Artist Run/The Satellite Show, a collaborate installation with MADEart and LABspace for art week, Miami, FL |
+1 +1, LABspace, Hillsdale, NY |
AWARDS
2018 |
Residency fellowship, Maison Dora Maar, Ménerbes, France |
2017 |
Arts and Letters Award, American Academy of Arts and Letters |
2017 |
Hassam, Speicher, Betts, and Symons Purchase Prize, American Academy of Arts and Letters |
2016 |
Residency fellowship, Yaddo |
2015 |
Residency, Virgina Center for the Creative Arts |
2002 |
Artist in the Marketplace Program, Bronx Museum of the Arts |
SELECTED COLLECTIONS AND CORPORATE COMMISSIONS
Museum of Contemporary Art San Diego Pennsylvania Academy of the Fine Arts Capital Group Companies Edelman Diageo Abercrombie & Fitch |
EDUCATION
BFA, School of Visual Arts, New York |
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MA, International Relations, University of Notre Dame, Notre Dame, IN |
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BA, Philosophy, University of Missouri, Columbia, MO |
BIBLIOGRAPHY
“Martha Bone and Janice Caswell: Two Solo Shows at Garrison Art Center,” Art Spiel, August 29, 2023, Meg Hitchcock |
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“Exhibit spotlights photographers who enjoy Instagram,” The Times Union, Albany, NY, March 1, 2019, Amy Griffin |
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“On Exhibit: Exploring artists’ Instagram connection,” The Daily Gazette, February 7, 2019, Indiana Nash |
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“Gallery Chronicle,” The New Criterion, April 2017, James Panero |
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“Q & A With Janice Caswell,” Pierogi Flat Files blog, April 22, 2015, Audrey Irving |
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“Artist-run @ Satellite,” Two Coats of Paint, December 6, 2015, Sharon Loudon |
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“Pins and Needles” at Housatonic,” Hartford Courant, January 21, 2014, Susan Dunne |
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Visual Complexity: Mapping Patterns of Information, 2011, Manuel Lima, Princeton Achitectural Press, New York |
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The Map as Art: Contemporary Artists Explore Cartography, 2009, Katherine Harmon, Princeton Architectural Press, New York |
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“The Lining of Forgetting at the Austin Museum of Art – Part II,” Austin on Stage, May 30, 2009 |
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“Remapping Savannah: Site-specific installation and cartography by Janice Caswell@Pinnacle Gallery,” Connect Savannah, May 1, 2008, Bertha Husband |
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“Memory Landscape Drawings” Information Aesthetics, October 12, 2007, Andrew Vande |
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“Janice Caswell’s Landscapes” Visual Complexity, Manuel Lima |
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“Janice Caswell’s Mental Maps: Three-dimensional Glimpses of Memory in Physical Space,” Gay City News, New York, September 28, 2006, Rachel Liberman |
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“Mental Maps: Dorsky Gallery,” ARTL!ES, Houston, TX, Issue 48 – Summer 2006, Lyra Kilston |
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“Finding her place: The Fleming’s New Curator lands a ground-breaking exhibit,” Seven Days, Burlington, VT, July 13, 2005, Pamela Poltson |
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“Lovely lines draw the eye at Limn Gallery,” San Francisco Chronicle, July 9, 2005, Kenneth Baker |
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“Art to Start With,” New York Post, Oct. 30, 2004, Samuel T. Clover |
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“Dateline Brooklyn,” Artnet.com, Oct. 2004, Stephen Maine |
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“Small Towns, Janice Caswell,” M – The New York Art World, Oct. 2004, Joel Simpson |
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“The October ArtCrawl,” Freewilliamsburg.com, Oct. 2004. Keane Pepper |
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“City Maps,” ARTL!ES, no. 24, Spring 2004, Catherine Walworth |
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“Echange de très bons procédés,” Technikart, numero 79, Bénédicte Ramade |
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“Full House’ at the Aldrich Museum,” NY Arts, Vol. 8, No. 6-8, L.P. Streitfeld |
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“It’s a ‘Full House’ at the Aldrich Museum,” The Advocate & Greenwich Time, April 27, 2003, L.P. Streitfeld |
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“Mapping Unseen Territory: Three visual artists plot memory in two different exhibitions,” Style Weekly, Richmond, VA, April 9, 2003, Paulette Roberts-Pullen |
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“The Art Crawl,” freewilliamsburg.com, Feb, 2003, V35, Keane A. Pepper |